Renovation and restoration of 322A’s new office in Edificio Sur through a series of lightweight and adaptable interventions: archival pieces, in-house designs, and works by other studios, assembled into a cohesive whole from heterogeneous fragments.

Interior architecture and custom furniture design for a winery.

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Architecture for a mixed-use pavilion in Buenos Aires.

“Hey system, be a chandelier” explored the system’s capacity for transformation. Referencing Maarten Baas’s “Hey Chair, Be a Bookshelf”, the project shifted from irony and functional subversion toward continuity and dialogue. Rather than producing a singular object, the system established a shared technical language — one that enabled reuse as a conceptual method, allowing forms, meanings, and conversations to evolve across exhibitions, contexts, and geographies. In collaboration with Jules Cairon.

The 322A contribution to the 2025 Chicago Architecture Biennial consisted of a library of architectural publications conceived as a spatial device for consultation and reflection on material culture. The library functioned as an open, evolving collection of knowledge, narratives, and critical perspectives on topics central to our practice.

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Interior architectural design, furniture design, and selection of archival pieces for a residential tower.

Site-specific installation at the Prourban Tower in downtown Buenos Aires.

Exhibition design for the annual program of Di Tella University’s School of Architecture.

Interior architectural design for a house in the suburbs of Buenos Aires.

Exhibition that presented the development of our in-house system of dispositifs at Salone del Mobile (Milan Design Week 2025). In collaboration with: Jules Cairon, MOS Architects, Lütjens Padmanbhan, Amparo Molar, Constanza Castagnet.

Exhibition design for the end of the year exhibition of Di Tella University’s School of Architecture.

The proposal for the 2025 Venice Biennale sought to reverse the conventional logic of exhibition design obsolescence by establishing a permanent architectural intervention within the Argentine Pavilion. Conceived as a lasting infrastructure, the project aimed to transform the pavilion and provide a framework for future editions of the Biennale, operating as a support system for diverse forms of artistic and architectural content.
Its geometry emerged from both the contingencies of the existing space and the search for an autonomous form capable of maximizing its footprint within the pavilion. The position of the new perimeter absorbed the irregularities of the original building while simultaneously defining a central void. Superimposed onto the existing structure, this new perspective distorted its perceived depth, generating a new spatial condition: a space within a space.
Developed in collaboration with Juan Campanini, Josefina Sposito, and Manuela Mazure.

Curation, exhibition design, and fabrication of an exhibition of domestic objects by invited architectural studios, presented in a gallery and workspace in Buenos Aires. Participating studios included Go Hasegawa (JP), MOS Architects (US), Lütjens Padmanbhan (CH), MAIO Architects (ES), Monadnock (NL), Sean Canty (US), Something Fantastic (DE).

Interior architecture and custom furniture design for a restaurant.
In collaboration with Giusto Van Campenhout.

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